On this day · 3 July 2026

Mallard, Gettysburg, and the Day Ziggy Stardust Died

· 13 min

Mallard, Gettysburg, and the Day Ziggy Stardust Died

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13 min

These stories highlight humanity's relentless push for boundaries, whether on the tracks, the battlefield, or the stage. They remind us of ambition, shared history, and personal reinvention.

The Day Mallard Took Flight

On 3 July 1938, a hunk of British engineering on wheels named Mallard made a dash down Stoke Bank in Lincolnshire, clocking an astonishing 125.88 miles per hour. This wasn’t your average Sunday drive: it was a record-breaking sprint that secured Mallard’s place in the steam locomotive hall of fame. However, the victory came with a side note of calamity: the engine’s middle big-end bearing overheated in the process. Damaged but not defeated, Mallard made a hobbling retreat to Peterborough for repairs. She chugged along for another 25 years before retiring to the National Railway Museum in York, an enduring symbol of the era’s fierce competitive spirit.

A Historic Handshake at Gettysburg

Another scene from 3 July transports us to the fields of Gettysburg, where, half a century after the thunder of Pickett’s Charge, around 50,000 veterans from both sides of the American Civil War convened for the Great Reunion of 1913. The veterans commemorated their shared memories by shaking hands at the site of Cemetery Ridge. This poignant gesture symbolised reconciliation, but it’s tricky business: the gesture sits against the backdrop of ongoing racial injustice in the United States that renders its legacy complex.

Ziggy Stardust’s Curtain Call

Across the ocean and a couple of decades forward, 1973 saw David Bowie orchestrating a dramatic stage exit for his iconic alter ego, Ziggy Stardust. In a move that blindsided both his band and his audience, Bowie announced Ziggy’s death on stage at the Hammersmith Odeon. The character had begun to overshadow him, and this public exit was a necessary act of shedding the very skin that made him famous. And if history shows us anything, it’s that Bowie was a master of reinvention, uniquely capable of keeping us guessing with every new iteration.

Reflections on Memory and Momentum

As we wrap up our whirlwind journey through the corridors of history, we’re left contemplating what to do with momentum once we’ve reached the peak: whether that momentum is driven by steam, the weight of history, or a musical note. Each story paints a part of the broader picture of humanity’s relentless drive to push boundaries: a drive that continues to both unite and confound us. Tune in to dive into each unique tale and reflect on how these echoes of history still affect us today.

In this episode

  • Intro Clara introduces the episode: a train that broke itself setting a world record, and humans making it up as they go along.
  • The Day Mallard Flew On 3 July 1938, Mallard reached 125.88 mph on Stoke Bank, Lincolnshire, a steam locomotive world record that still stands. The achievement damaged her bearing, but she was repaired and worked until 1963. Now preserved in York, Mallard represents Britain’s stubborn, competitive spirit on the eve of the Second World War.
  • CTA Clara asks listeners to follow the show and share it with friends.
  • The Great Reunion at Gettysburg, 1913 Fifty years after Pickett’s Charge, 50,000 veterans from both sides returned to Gettysburg. On 3 July 1913, Confederate and Union veterans re-enacted the charge and shook hands at Cemetery Ridge, a moving but complicated symbol of reconciliation in an era of ongoing racial injustice.
  • Iran Air Flight 655, 1988 On 3 July 1988, USS Vincennes shot down Iran Air Flight 655 over the Persian Gulf, killing all 290 people on board. The civilian Airbus had been misidentified. The United States expressed regret but never formally apologised, and later awarded the captain the Legion of Merit.
  • The Last Night of Ziggy Stardust, 1973 On 3 July 1973, David Bowie killed his alter ego Ziggy Stardust on stage at the Hammersmith Odeon, announcing it to the audience and band simultaneously. The character had begun to consume him, and the public theatrical death was an act of self-preservation. Bowie later reinvented himself repeatedly.
  • Outro Clara reflects on people pushing boundaries, whether boilers, memory, or stage personas, and the question of what to do with momentum once you’ve reached the bottom of the hill.

Sources

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